📹 Video Playback
Total Scenes
109
Detection Threshold
0.3
Detected
Invalid Date
Scene 1
(7s)
0:00 → 0:07
Frame 1 • 0:00
Frame 2 • 0:03
Frame 3 • 0:06
🎬 Visual: Scene 1 consists of opening title cards on a black background, introducing "ACUMEN" and "CBS News Brand Studio" as the main subjects. As the frames progress, additional text appears: "ACUMEN Presents For distribution via CBS News Brand Studio," followed by "ACUMEN MEDIA presents" in the final frame. The notable change is the gradual addition and transition of text, indicating production and distribution credits at the start of the video.
🎙️ Dialogue:
Everything we've done historically has been paper drawings.
Duration: 7.0s
Scene 2
(0.56s)
0:07 → 0:07
Frame 1 • 0:07
Frame 2 • 0:07
Frame 3 • 0:07
🎬 Visual: In this scene, a person in traditional chef attire stands behind a counter in what appears to be a restaurant kitchen, with shelves of neatly stacked plates visible in the background. The setting includes other individuals seated or working nearby, indicated by partial views of heads and objects on the counter. Across the three frames, the subject maintains a largely unchanged position and posture, suggesting a moment of focus at the workstation without significant movement or interaction.
Scene 3
(0.68s)
0:07 → 0:08
Frame 1 • 0:07
Frame 2 • 0:07
Frame 3 • 0:08
🎬 Visual: In this scene, a person works at a sewing machine, handling leather pieces on a cluttered workbench in what appears to be a workshop or repair shop. The main action involves guiding the material through the machine, with spools of thread and additional leather pieces visible on the table. Across the frames, the setting remains consistent, while the subject’s hands slightly shift as the work progresses.
🎙️ Dialogue:
and
Duration: 0.7s
Scene 4
(0.64s)
0:08 → 0:08
Frame 1 • 0:08
Frame 2 • 0:08
Frame 3 • 0:08
🎬 Visual: In this scene, a person is engaged in technical drawing or mapwork at a drafting table, surrounded by maps, rulers, and drawing instruments. Throughout the three frames, the person's hand remains steady as they use a pencil and a transparent ruler to make precise marks on a technical map or blueprint. The scene setting remains consistent, with no notable changes in the main subjects or objects between frames.
Scene 5
(0.6s)
0:08 → 0:09
Frame 1 • 0:08
Frame 2 • 0:09
Frame 3 • 0:09
🎬 Visual: In Scene 5, a person wearing a work coat stands at a drafting table, using a pencil and compass to work on architectural or technical drawings. The setting appears to be an office or studio with papers and drafting tools visible on the shelves. Across the three frames, the subject’s posture and hand positions remain steady, indicating focused and continuous drawing throughout the scene.
🎙️ Dialogue:
pictures of
Duration: 0.6s
Scene 6
(0.56s)
0:09 → 0:10
Frame 1 • 0:09
Frame 2 • 0:09
Frame 3 • 0:09
🎬 Visual: Scene 6 features three men in an office, seated around a cluttered desk covered with papers, telephones, and office equipment. One man is on the phone while the others appear engaged in discussion, and through the window, cars are visible outside, establishing the setting as an automotive workplace. Across the three frames, the men remain in similar positions, with only minor changes in posture, suggesting an ongoing conversation or meeting.
🎙️ Dialogue:
Boeing plant.
Duration: 0.6s
Scene 7
(0.6s)
0:10 → 0:10
Frame 1 • 0:10
Frame 2 • 0:10
Frame 3 • 0:10
🎬 Visual: In this scene, a man is seated at an office desk, writing on a document with a pen while surrounded by typical office items such as a desk lamp, files, and papers. The setting remains static throughout the frames, indicating a focused moment of paperwork or note-taking. No significant changes in the man's posture or the arrangement of objects occur between the beginning, middle, and end frames, highlighting a continuous work activity.
🎙️ Dialogue:
back from the
Duration: 0.6s
Scene 8
(0.6s)
0:10 → 0:11
Frame 1 • 0:10
Frame 2 • 0:10
Frame 3 • 0:11
🎬 Visual: In this scene, three men in shirts and ties stand in front of a large map or schematic displayed on the wall. One man is holding a paper and using a pointer to indicate specific details on the map, suggesting a discussion or presentation is taking place. Throughout the frames, their positions and gestures remain constant, indicating a focused explanation or briefing in a professional setting.
🎙️ Dialogue:
You have people
Duration: 0.6s
Scene 9
(0.64s)
0:11 → 0:11
Frame 1 • 0:11
Frame 2 • 0:11
Frame 3 • 0:11
🎬 Visual: In this scene, a person seated at a table is handling a metal reel with one hand and appears to be writing or drawing with the other. A ceramic container with a patterned design is visible on the table, suggesting a domestic or office setting. There is little visible change between the frames, indicating a continuous and focused action centered on the objects in front of the person.
Scene 10
(0.6s)
0:11 → 0:12
Frame 1 • 0:11
Frame 2 • 0:12
Frame 3 • 0:12
🎬 Visual: Scene 10 presents three static frames of an artist's studio, featuring cluttered worktables filled with rolled papers, art supplies, and canvases. The key subjects are the tables, easels, and various artworks set against a large window and a fireplace, suggesting a creative workspace. Between the beginning, middle, and end of the scene, there are no visible changes or movements; the scene remains unchanged and serves as a visual establishment of the room's atmosphere and contents.
🎙️ Dialogue:
floor
Duration: 0.6s
Scene 11
(0.64s)
0:12 → 0:13
Frame 1 • 0:12
Frame 2 • 0:12
Frame 3 • 0:13
🎬 Visual: In this scene, the camera lingers on a worktable covered with drafting tools, papers, and architectural supplies, while a table in the background holds rolled-up plans and additional materials. There are no people present, and the arrangement of objects remains unchanged across the three frames. The setting appears to be an architectural or design studio, with the static composition emphasizing the prepared but undisturbed workspace.
🎙️ Dialogue:
these planes out.
Duration: 0.6s
Scene 12
(0.52s)
0:13 → 0:13
Frame 1 • 0:13
Frame 2 • 0:13
Frame 3 • 0:13
🎬 Visual: In this scene, a person seated at a desk reviews a map while speaking into a telephone. Key objects visible include a large globe and several documents spread across the desk, providing a setting that appears to be an office or work environment related to geographic or strategic analysis. There are no notable changes in posture or object arrangement across the frames, suggesting a continuous, focused activity.
🎙️ Dialogue:
out.
Duration: 0.5s
Scene 13
(0.64s)
0:13 → 0:14
Frame 1 • 0:13
Frame 2 • 0:13
Frame 3 • 0:14
🎬 Visual: In this scene, a man in a suit is seen closely examining and marking a strip of film on a slanted light table using a pencil and a small ruler or guide. The setting appears to be a work area or laboratory for film editing or analysis. Across the three frames, there is little change in position, indicating careful, precise work focused on the film strip.
Scene 14
(0.52s)
0:14 → 0:14
Frame 1 • 0:14
Frame 2 • 0:14
Frame 3 • 0:14
🎬 Visual: In this brief scene, a person drafts architectural or technical diagrams with a pen on a large sheet of paper, as shown by the close-up on a hand drawing measured lines and labeled sections. The setting appears to be a workspace or studio, suggested by the blurred equipment in the background. Across the three frames, the main action—marking on the paper—remains consistent with no significant change in position or context.
🎙️ Dialogue:
It's just tedious.
Duration: 0.5s
Scene 15
(2s)
0:14 → 0:16
Frame 1 • 0:15
Frame 2 • 0:15
Frame 3 • 0:16
🎬 Visual: Scene 15 opens with a blank black screen. In the middle and end frames, white text reading "in association with MISUMI" appears centered on the screen, indicating a sponsorship or partnership credit. The main change across the frames is the transition from no text to the display of the credit against an otherwise empty background.
🎙️ Dialogue:
Thanks.
Duration: 2.0s
Scene 16
(1.4s)
0:16 → 0:18
Frame 1 • 0:16
Frame 2 • 0:17
Frame 3 • 0:18
🎬 Visual: A person works at a desk, closely examining and manipulating a 3D mechanical model on a computer monitor in a home or office setting. Throughout the scene, the camera captures the progression of the model as it is zoomed in and rotated, revealing more complex internal components. Notable changes between the frames include increased detail and closer views of the model on the screen, indicating active interaction with the design software.
🎙️ Dialogue:
We've graduated to
Duration: 1.4s
Scene 17
(1.32s)
0:18 → 0:19
Frame 1 • 0:18
Frame 2 • 0:18
Frame 3 • 0:19
🎬 Visual: In this scene, a technical drawing of a mechanical object is manipulated on a computer screen, likely within CAD (computer-aided design) software. The main actions involve the object being selected and then rotated, transitioning from a flat top-down view in the first frame to an angled 3D perspective in the last frame. The key subject throughout is the mechanical component drawing, with the notable change being its spatial reorientation, revealing more of its structural detail.
🎙️ Dialogue:
platforms but we have to
Duration: 1.3s
Scene 18
(1.64s)
0:19 → 0:21
Frame 1 • 0:19
Frame 2 • 0:20
Frame 3 • 0:20
🎬 Visual: In Scene 18, a person works on a 3D design on a computer, focusing on a digital model displayed on the screen in an office-like setting. Throughout the frames, the main subject remains engaged with the design software, and by the final frame, new elements (highlighted in green) and a dialog box appear on the screen, indicating progress or a modification to the model. The scene captures a sequence where the user initiates and adjusts the design, with noticeable updates to the digital object between the beginning and end.
Scene 19
(1.6s)
0:21 → 0:22
Frame 1 • 0:21
Frame 2 • 0:21
Frame 3 • 0:22
🎬 Visual: The scene depicts a close-up view of a microchip or processor on a dark, circuit-like surface, with glowing blue lines representing electric activity. Throughout the frames, the blue luminescence intensifies and spreads outward from the chip, visually illustrating an increase in connectivity or power flow. The setting remains consistent, but the key change is the growing brightness and reach of the illuminated pathways around the chip.
🎙️ Dialogue:
AI into some of these platforms.
Duration: 1.6s
Scene 20
(2.64s)
0:22 → 0:25
Frame 1 • 0:23
Frame 2 • 0:24
Frame 3 • 0:25
🎬 Visual: In this scene, a man in a black shirt walks through a modern industrial facility, passing stacks of cardboard boxes and workstations filled with blue bins and computer monitors. The camera follows his movement from behind as he progresses deeper into the workspace, suggesting he is surveying or inspecting the area. Between the frames, the man’s position shifts slightly, with more of his profile and surroundings revealed, indicating motion and engagement with the environment.
🎙️ Dialogue:
It takes the digitalization.
Duration: 2.6s
Scene 21
(2.64s)
0:25 → 0:28
Frame 1 • 0:25
Frame 2 • 0:26
Frame 3 • 0:27
🎬 Visual: In this scene, a person wearing a black "MISUMI" polo shirt is seated indoors in front of large windows overlooking an industrial facility with visible shelving and equipment. The main action involves the subject using expressive hand gestures while speaking, moving their hands from an enclosed position to a more open and then elevated arrangement. Between the frames, the subject's hand movements suggest an explanation or demonstration, but the setting and composition remain consistent throughout.
🎙️ Dialogue:
from not only the design side where you're now.
Duration: 2.6s
Scene 22
(3.28s)
0:28 → 0:31
Frame 1 • 0:28
Frame 2 • 0:29
Frame 3 • 0:30
🎬 Visual: This scene takes place in an indoor industrial or warehouse setting, with a person in a black collared shirt positioned near a glass window. Across the three frames, the subject remains mostly stationary, suggesting an interview or conversation is occurring. The background remains consistent, with only subtle position changes from the subject.
Scene 23
(2.12s)
0:31 → 0:33
Frame 1 • 0:31
Frame 2 • 0:32
Frame 3 • 0:33
🎬 Visual: In this scene, a person stands beside a large technical diagram or rendering of a mechanical structure, initially gesturing towards it with their arm raised. The person then lowers their arm and turns slightly to face the diagram more directly, suggesting they are explaining or discussing details about the structure. The setting appears to be an indoor office or meeting space, and the notable change across the frames is the transition from gesturing to a more neutral stance.
🎙️ Dialogue:
We're also using that to manufacture
Duration: 2.1s
Scene 24
(1.76s)
0:33 → 0:35
Frame 1 • 0:33
Frame 2 • 0:34
Frame 3 • 0:35
🎬 Visual: In this scene, two individuals are seated at a workstation, engaging in a discussion while analyzing 3D models displayed on dual computer monitors. One person actively points at the screen, likely explaining or highlighting specific features of a mechanical part design. The setting appears to be a technical lab or office, and throughout the frames, the main action remains focused on collaborative design review without significant shifts in position or context.
🎙️ Dialogue:
So, you go from 3D CAD.
Duration: 1.8s
Scene 25
(1.92s)
0:35 → 0:37
Frame 1 • 0:35
Frame 2 • 0:36
Frame 3 • 0:36
🎬 Visual: In this scene, a person stands at a desk and observes a computer screen displaying a 3D modeling application, focusing on a geometric blue object centered in the workspace. The environment features a potted plant and studio equipment, suggesting a creative or office setting. Across the three frames, the main change is the gradual zoom and slight repositioning of the geometric object on the screen as the person continues their work.
🎙️ Dialogue:
you no longer have to create the drawings.
Duration: 1.9s
Scene 26
(4.48s)
0:37 → 0:41
Frame 1 • 0:37
Frame 2 • 0:39
Frame 3 • 0:41
🎬 Visual: In this scene, an industrial machine model is shown alongside a clock icon and the text "FASTER LEAD TIMES," emphasizing efficiency. The clock graphic and text then fade away, leaving only the machine. By the end of the scene, several machine components appear around the model, each highlighted and connected by lines, showcasing key parts and their locations on the machine.
🎙️ Dialogue:
You can go straight to manufacturing, but the rest of the industry continues to evolve to everything
Duration: 4.5s
Scene 27
(3.36s)
0:41 → 0:44
Frame 1 • 0:41
Frame 2 • 0:43
Frame 3 • 0:44
🎬 Visual: In this scene, a glowing blue ring in a dark setting progressively transforms: short radial lines first appear around the ring (frame 1), then elongate outward like rays (frame 2), and finally develop into a network of lines ending with circular nodes (frame 3). The key subject is the expanding ring with connecting lines, suggesting a visual representation of growth or network formation. The notable change is the increasing complexity and extension of the lines, culminating in multiple nodes, indicating connectivity or distribution.
🎙️ Dialogue:
to other things the speed is very
Duration: 3.4s
Scene 28
(3.6s)
0:44 → 0:48
Frame 1 • 0:45
Frame 2 • 0:46
Frame 3 • 0:48
🎬 Visual: In this scene, an individual wearing a light blue MISUMI-branded shirt is seated indoors, speaking and gesturing with their right hand. The background features office-like decor with patterned wall art and modern furnishings. Over the course of the three frames, the subject’s hand motion transitions from resting to more animated, indicating active communication or emphasis during their explanation.
🎙️ Dialogue:
important. And for us, for Misumi, we try to adapt to this.
Duration: 3.6s
Scene 29
(4.32s)
0:48 → 0:52
Frame 1 • 0:48
Frame 2 • 0:50
Frame 3 • 0:52
🎬 Visual: In this scene, a man wearing a light blue button-up shirt is seated indoors against a wall featuring black-and-white abstract designs. Over the course of the three frames, he shifts his head and gaze slightly to his right, suggesting a conversational or attentive context. No additional subjects or objects enter the frame, and the environment remains consistent throughout.
Scene 30
(5.72s)
0:52 → 0:58
Frame 1 • 0:53
Frame 2 • 0:55
Frame 3 • 0:58
🎬 Visual: In this scene, the video transitions from a sky background displaying the text "ECONO" and a red geometric shape, to a view of an industrial building with overlaid red "ECONOMY 4.0" graphics, and finally to a clear shot of the building with the "MISUMI" logo visible and the graphics gone. The key subjects are the changing text/graphics and the MISUMI facility, with the context likely related to industry or technology. Notable changes between frames include the movement and transformation of the red graphics and text, which ultimately disappear to reveal the building’s actual logo and setting.
Scene 31
(9.56s)
0:58 → 1:08
Frame 1 • 0:59
Frame 2 • 1:03
Frame 3 • 1:07
🎬 Visual: The scene opens with an exterior shot of a building featuring the MISUMI logo and the words "YOUR TIME," establishing the location. It then transitions to a brief black screen, suggesting a change of scene or a cut. The final frame shows Nobuyuki Ashida, identified as the President of MISUMI USA, seated indoors and beginning to speak, shifting the focus to an interview setting.
🎙️ Dialogue:
Your time is our priority. In case you miss me, we try to offer the customers one-stop solutions.
Duration: 9.6s
Scene 32
(1.52s)
1:08 → 1:09
Frame 1 • 1:08
Frame 2 • 1:08
Frame 3 • 1:09
🎬 Visual: In this scene, a person wearing a light blue collared shirt sits against a beige wall with bold, abstract line art designs. The subject remains mostly still throughout all three frames, suggesting a stationary interview or conversation setting. There are no significant changes in posture or background between the beginning, middle, and end of the sequence.
🎙️ Dialogue:
including manufacturing
Duration: 1.5s
Scene 33
(2.68s)
1:09 → 1:12
Frame 1 • 1:09
Frame 2 • 1:11
Frame 3 • 1:12
🎬 Visual: In this scene, a user interacts with the MISUMI website to search for linear shafts, specifically using the "Left End Shape" filter on the sidebar. The frames capture the user's cursor selecting the "Keyway" option, highlighting a change in filter criteria. The main action is the filter selection within the product search interface, with the website context remaining consistent throughout the frames.
🎙️ Dialogue:
components and also we can offer
Duration: 2.7s
Scene 34
(1.64s)
1:12 → 1:14
Frame 1 • 1:12
Frame 2 • 1:13
Frame 3 • 1:13
🎬 Visual: In this scene, a person operates a laptop displaying a 3D modeling software with several metallic gear-like objects rendered on the screen. The camera angle remains focused on the screen and the user's hands as they interact with the mouse and keyboard, while the arrangement or perspective of the 3D objects subtly changes during the sequence. The setting appears to be a modern office or workspace, and the main action centers on the manipulation or review of the 3D mechanical designs.
🎙️ Dialogue:
for thought polyblends.
Duration: 1.6s
Scene 35
(1.44s)
1:14 → 1:15
Frame 1 • 1:14
Frame 2 • 1:14
Frame 3 • 1:15
🎬 Visual: In this scene, a person works at a desk using a laptop, surrounded by models of wind turbines, solar panels, and electronic equipment. The background features two monitors displaying renewable energy imagery, emphasizing a laboratory or research setting focused on sustainable technology. Across the three frames, the subject maintains their position and activity, indicating a continuous period of focused work without significant physical changes.
Scene 36
(2.2s)
1:15 → 1:17
Frame 1 • 1:15
Frame 2 • 1:16
Frame 3 • 1:17
🎬 Visual: In this scene, a person dressed in business attire stands inside a warehouse or industrial setting surrounded by shelves and boxes. The main action involves the subject turning their head to the left while maintaining a stationary position. The background remains consistent, but there is a slight shift in the person's posture, indicating attentiveness to something occurring off-camera.
🎙️ Dialogue:
SMCs and so on and so forth.
Duration: 2.2s
Scene 37
(6.48s)
1:17 → 1:24
Frame 1 • 1:18
Frame 2 • 1:20
Frame 3 • 1:23
🎬 Visual: In this scene, a person in business attire stands and observes the activity within a large industrial warehouse labeled "MISUMI." The frames show the individual initially in close-up before the camera gradually shifts to a wider view, revealing a busy environment with workers, packing stations, and storage racks. The progression highlights the transition from the observer’s focus to the overall operational context of the facility.
🎙️ Dialogue:
so MISUMI can offer both manufacturing solutions and also distribution solutions to the customers.
Duration: 6.5s
Scene 38
(5.96s)
1:24 → 1:30
Frame 1 • 1:24
Frame 2 • 1:27
Frame 3 • 1:29
🎬 Visual: In this scene, a person in a MISUMI-branded shirt is seated in a meeting room setting, positioned beside a table and in front of a wall with distinctive geometric artwork. Over the three frames, the subject begins with their hands resting, then gradually raises and gestures with one hand, indicating active speaking or explanation. The visual context remains consistent, with the background and lighting unchanged while the subject’s hand movements suggest increasing engagement.
🎙️ Dialogue:
So the difference between what Misumi can do and our competitors, a lot of times competitors buy and
Duration: 6.0s
Scene 39
(4.4s)
1:30 → 1:34
Frame 1 • 1:30
Frame 2 • 1:32
Frame 3 • 1:34
🎬 Visual: In these three frames from Scene 39, a person in a light blue collared shirt is seated in front of a wall with abstract geometric designs. The subject maintains a similar posture throughout the sequence, indicating a calm or conversational moment. No significant changes in objects or setting occur between the beginning, middle, and end frames.
Scene 40
(4.08s)
1:34 → 1:38
Frame 1 • 1:34
Frame 2 • 1:36
Frame 3 • 1:38
🎬 Visual: In this scene, a person wearing a shirt with a "MISUMI" logo is seated at a table in a modern office setting with a geometric wall design in the background. Over the course of the scene, the individual's hand gestures change, suggesting ongoing verbal communication or explanation. The position of the subject and environment remains consistent throughout the frames, indicating a continuous interview or discussion.
🎙️ Dialogue:
we produce and we also manufacture, we sell the product.
Duration: 4.1s
Scene 41
(5.32s)
1:38 → 1:43
Frame 1 • 1:39
Frame 2 • 1:41
Frame 3 • 1:43
🎬 Visual: In this scene, a person is seated at a desk using a laptop to view an online product page for an air cylinder on the MISUMI website. As the scene progresses, large text appears on the screen, first displaying "80 SEXTILLION" and then its numeric representation, "80,000,000,000,000,000,000,000," suggesting emphasis on a vast number related to product options or configurations. The setting remains consistent throughout, with the key change being the addition and escalation of this numerical information over the steady backdrop of the product page.
🎙️ Dialogue:
We have 86 tillion options in our brand, but we also carry
Duration: 5.3s
Scene 42
(2.68s)
1:43 → 1:46
Frame 1 • 1:44
Frame 2 • 1:45
Frame 3 • 1:46
🎬 Visual: The scene takes place in an industrial or warehouse-like setting, with a man in a black "MISUMI" polo shirt seated indoors for an interview. Across the frames, the subject uses expressive hand gestures while speaking, and text identifies him as John Williams, Technical Training Manager at MISUMI USA. The background and subject remain consistent, but his hand positions change to emphasize different points during his explanation.
🎙️ Dialogue:
3,000 other brands if for some reason...
Duration: 2.7s
Scene 43
(1.64s)
1:46 → 1:48
Frame 1 • 1:46
Frame 2 • 1:47
Frame 3 • 1:48
🎬 Visual: The scene takes place in an industrial or office setting, featuring John Williams, Technical Training Manager at MISUMI USA, as indicated by the on-screen text. The main action involves John Williams speaking or being interviewed, with the camera maintaining a medium close-up shot throughout. Between the frames, the context remains consistent, but the title text identifying him fades out by the final frame, signaling the conclusion of his introduction or statement.
Scene 44
(4.4s)
1:48 → 1:52
Frame 1 • 1:48
Frame 2 • 1:50
Frame 3 • 1:52
🎬 Visual: In this scene, an individual wearing a MiSUMi-branded shirt is speaking and gesturing with their hands while seated indoors, with a warehouse or industrial facility visible through large windows in the background. Across the three frames, the person’s hand gestures change from an explanatory motion to a more open and expressive gesture, suggesting active communication or explanation. The setting and subject remain consistent throughout, with no notable changes in the background or context.
🎙️ Dialogue:
But we also realized that the parts is only part of the engineering time.
Duration: 4.4s
Scene 45
(2.84s)
1:52 → 1:55
Frame 1 • 1:52
Frame 2 • 1:54
Frame 3 • 1:55
🎬 Visual: In this scene, a user interacts with the Meviy (MISUMI) web interface to manage a project quotation. The user uploads a file ("B_001 SAT"), then proceeds to set quotation conditions by selecting material and treatment options, and finally clicks the "Next" button to advance to the subsequent step. Between the frames, a new project ("RFixed_B_001.sat") appears in the project list, and fields related to material and processing are populated as part of the quotation setup.
🎙️ Dialogue:
We want to provide the services as well.
Duration: 2.8s
Scene 46
(4s)
1:55 → 1:59
Frame 1 • 1:55
Frame 2 • 1:57
Frame 3 • 1:59
🎬 Visual: The scene begins with a computer monitor displaying a yellow dollar sign icon, then transitions to a yellow delivery truck with a clock symbol, which remains but shows the clock's time shifting between the middle and end frames. The key subjects are the icons on the monitor, suggesting a shift from financial information to scheduling or delivery logistics. The visual change between frames highlights a progression in the presented concept, moving from cost to time-sensitive delivery.
🎙️ Dialogue:
that make that customization and that time value even greater.
Duration: 4.0s
Scene 47
(4.96s)
1:59 → 2:04
Frame 1 • 1:59
Frame 2 • 2:01
Frame 3 • 2:03
🎬 Visual: In this scene, the video displays branding content for "meviy," starting with its logo and tagline "Powered by MISUMI," which gradually becomes clearer. The scene setting is a plain white background with technical line drawings, and notable changes between frames include the enhancement of the "MISUMI" logo and the transition to promotional text highlighting "Free" and "Easy to Use" features. The key subjects are the meviy and MISUMI logos and the accompanying promotional messaging.
Scene 48
(2.84s)
2:04 → 2:07
Frame 1 • 2:04
Frame 2 • 2:05
Frame 3 • 2:06
🎬 Visual: In Scene 48, a person is seated in an indoor interview or discussion setting, wearing a light blue MISUMI-branded shirt. The frames show the individual sitting still, with minimal movement or change in posture, and the background remains consistent, featuring a geometric wall design and office furniture. There are no significant actions or objects introduced, suggesting a steady, conversational moment throughout the scene.
🎙️ Dialogue:
Accusity is very important for our business.
Duration: 2.8s
Scene 49
(2.68s)
2:07 → 2:09
Frame 1 • 2:07
Frame 2 • 2:08
Frame 3 • 2:09
🎬 Visual: In Scene 49, two people—a man in a suit and a woman in casual attire—walk together through an industrial warehouse setting filled with equipment, boxes, and workstations. As the scene progresses from beginning to end, they move forward side-by-side, and in the final frame, the man raises his hand to his head, possibly to gesture or respond to something. The overall context suggests a workplace tour or discussion, with no dramatic changes in setting but a subtle shift in interaction.
🎙️ Dialogue:
quality that's
Duration: 2.7s
Scene 50
(2.48s)
2:09 → 2:12
Frame 1 • 2:10
Frame 2 • 2:11
Frame 3 • 2:12
🎬 Visual: A man in a suit walks down a wide aisle lined with tall, blue storage containers on both sides, in what appears to be an industrial or warehouse setting. The sequence shows him moving steadily forward, with each frame capturing his progress deeper into the storage area. No other individuals or significant actions occur, and the main change is the man’s shifting position as he advances toward the far end of the aisle.
🎙️ Dialogue:
Q and cross of course
Duration: 2.5s
Scene 51
(2.88s)
2:12 → 2:15
Frame 1 • 2:12
Frame 2 • 2:13
Frame 3 • 2:14
🎬 Visual: A man in business attire stands in what appears to be a warehouse or industrial facility, next to a wall of stacked blue storage bins. Over the course of the scene, he looks upward and slightly to his left, suggesting he is observing something off-screen or above him. The setting remains constant, with no significant changes except for the man’s shifting gaze and subtle head movement.
Scene 52
(7.04s)
2:15 → 2:22
Frame 1 • 2:15
Frame 2 • 2:18
Frame 3 • 2:21
🎬 Visual: The scene takes place indoors against a wall decorated with large, abstract black-and-white designs. A person wearing a light blue button-down shirt is seated and remains largely still throughout the sequence. Between the frames, there are minimal visible changes, indicating a static moment in the conversation or interview setting.
🎙️ Dialogue:
without compromising qualities, and also the time to the customers, so the short lead time is very important.
Duration: 7.0s
Scene 53
(3.6s)
2:22 → 2:25
Frame 1 • 2:22
Frame 2 • 2:24
Frame 3 • 2:25
🎬 Visual: A person wearing a MiSUMi-branded shirt is seated in a modern, indoor setting with abstract wall decor visible in the background. Across the three frames, the individual's posture remains consistent, indicating they are likely engaged in a conversation or interview. There is minimal movement or change in scene composition between the beginning, middle, and end frames.
🎙️ Dialogue:
Well, those are the Q-City model that they miss me focusing on.
Duration: 3.6s
Scene 54
(3.28s)
2:25 → 2:29
Frame 1 • 2:26
Frame 2 • 2:27
Frame 3 • 2:28
🎬 Visual: In this scene, a person stands in front of a large screen displaying a technical diagram of a mechanical frame with labeled axes and components. The individual begins by facing slightly away, then turns more towards the screen, and finally gestures with their hand as if explaining or highlighting a feature. The context suggests a technical presentation or instruction, with an increased level of engagement and interaction by the end of the sequence.
🎙️ Dialogue:
Thank you for watching.
Duration: 3.3s
Scene 55
(2.8s)
2:29 → 2:32
Frame 1 • 2:29
Frame 2 • 2:30
Frame 3 • 2:31
🎬 Visual: In Scene 55, a person wearing a MiSUMi-branded shirt is seated indoors with a large industrial warehouse visible through the window behind them. The individual begins with their hands clasped, transitions to gesturing with animated hand movements while speaking, and returns to a resting hands position by the end. The scene maintains a consistent setting, with the main change being the subject’s hand movement and engagement during the discussion.
Scene 56
(4.92s)
2:32 → 2:36
Frame 1 • 2:32
Frame 2 • 2:34
Frame 3 • 2:36
🎬 Visual: In this scene, a person wearing a black collared shirt is seated indoors, positioned in front of large windows overlooking an industrial or warehouse-like area. The scene begins with the individual actively gesturing with both hands, then shifts to a more neutral posture with hands lowered and remains steady through the final frames. The setting and subject remain consistent throughout, with the only notable change being the reduction in hand movement.
🎙️ Dialogue:
We work through initiatives like our university program where we partner with different schools like
Duration: 4.9s
Scene 57
(1.52s)
2:36 → 2:38
Frame 1 • 2:37
Frame 2 • 2:37
Frame 3 • 2:38
🎬 Visual: In this scene, a person wearing a "MISUMI" branded shirt is seated indoors in front of a large window overlooking an industrial facility or warehouse. The subject uses expressive hand gestures at the beginning and middle of the scene, then settles their hands calmly in front of them by the end. The background and lighting remain consistent throughout, with the main change being the shift in the subject’s hand movements, indicating a transition from explanation or emphasis to a more composed posture.
🎙️ Dialogue:
University of Dayton, for example.
Duration: 1.5s
Scene 58
(3.52s)
2:38 → 2:41
Frame 1 • 2:38
Frame 2 • 2:40
Frame 3 • 2:41
🎬 Visual: In this scene, two individuals are interacting in a conference room, with one seated at a table using a laptop that displays the "MISUMI SMALLWORKS" logo while the other stands nearby. The frames show the seated person initially preparing or working on the laptop, while the standing individual moves closer and becomes the main focus by the final frame. The environment remains consistent throughout, with visible office furniture, windows, and electronic equipment, and the shift in focus highlights the transition of attention between the two subjects.
🎙️ Dialogue:
The University of Dayton's
Duration: 3.5s
Scene 59
(4.72s)
2:41 → 2:46
Frame 1 • 2:42
Frame 2 • 2:44
Frame 3 • 2:46
🎬 Visual: The scene shows a woman seated in a conference room, wearing a light blue "Flyers" polo shirt, as on-screen text introduces her. The middle frame displays her name and title: Elizabeth Hart, Principal Lecturer, School of Engineering, University of Dayton. The sequence begins with partially formed text, reveals her full identification in the center, and ends as the text fades away.
Scene 60
(4.92s)
2:46 → 2:51
Frame 1 • 2:47
Frame 2 • 2:49
Frame 3 • 2:51
🎬 Visual: In this scene, a person with curly brown hair and glasses is seated and appears to be participating in an interview or discussion within a conference room, as indicated by the table, chairs, and water bottles in the background. Across the three frames, the subject remains in a similar posture and position, with only minor changes in head angle, suggesting the scene primarily involves the subject listening or speaking. The setting and objects remain consistent, and there are no significant changes in action or focus between the frames.
🎙️ Dialogue:
Our Innovation Center gives our students the ability to do
Duration: 4.9s
Scene 61
(2.44s)
2:51 → 2:54
Frame 1 • 2:51
Frame 2 • 2:52
Frame 3 • 2:53
🎬 Visual: In this scene, a group of people sits around a table in a well-lit room, engaged in discussion or study, with books and papers laid out in front of them. One individual appears to be leading or explaining something to the others, who are listening and occasionally gesturing towards the materials. Across the three frames, the group maintains focus on the documents, with slight changes in hand movements indicating an ongoing conversation or collaborative work.
🎙️ Dialogue:
real projects for our community partners.
Duration: 2.4s
Scene 62
(2.76s)
2:54 → 2:56
Frame 1 • 2:54
Frame 2 • 2:55
Frame 3 • 2:56
🎬 Visual: In this scene, four people are gathered around a desk in an office, closely observing a dual-monitor computer setup displaying technical or architectural diagrams. One individual actively operates the keyboard and mouse while the others lean in to watch and discuss the screen. Throughout the frames, their body language shifts slightly to indicate engagement and collaboration as they collectively focus on the digital design work.
🎙️ Dialogue:
partners, our industry partners, look at a project
Duration: 2.8s
Scene 63
(3.12s)
2:56 → 2:59
Frame 1 • 2:57
Frame 2 • 2:58
Frame 3 • 2:59
🎬 Visual: Two individuals are seated at a desk in a modern classroom or workspace, where one demonstrates a yellow robotic arm and related electronic components to the other. Throughout the scene, they remain engaged in discussion and examination of the device, with circuit boards and computer equipment visible on the table. The sequence shows the robotic arm being held and possibly explained, while the setting stays active with other people working in the background.
Scene 64
(2.08s)
2:59 → 3:02
Frame 1 • 3:00
Frame 2 • 3:00
Frame 3 • 3:01
🎬 Visual: In this scene, two students are seated side-by-side at a desk in a modern classroom or lab, working together in front of a computer monitor. One student actively points towards something on the computer screen, engaging the other in the discussion. The frames progress from both students observing the screen to active communication and collaboration.
🎙️ Dialogue:
engineering program is designed to help
Duration: 2.1s
Scene 65
(2.8s)
3:02 → 3:04
Frame 1 • 3:02
Frame 2 • 3:03
Frame 3 • 3:04
🎬 Visual: In this scene set in a classroom or lab with a chalkboard covered in diagrams and notes, a person in a white shirt operates a tablet while standing next to a robotic arm and computer monitors displaying technical drawings. The individual maintains a similar position throughout the frames, interacting with the tablet as the subtitle describes the inclusivity of the Women Engineering Program at the University of Dayton. There are no significant changes in posture or setting between the beginning, middle, and end frames.
🎙️ Dialogue:
our students be as successful as possible.
Duration: 2.8s
Scene 66
(5.12s)
3:04 → 3:09
Frame 1 • 3:05
Frame 2 • 3:07
Frame 3 • 3:09
🎬 Visual: The scene takes place in a conference room, where a woman in a light blue shirt with "Flycats" written on it is seated at a table. Throughout the three frames, she remains seated and appears to be engaged in an interview or conversation, with no significant movement or change in her posture or position. The setting and composition remain consistent, highlighting a stationary, focused interview setup.
🎙️ Dialogue:
So this gives them the opportunities to try and see things.
Duration: 5.1s
Scene 67
(4.96s)
3:09 → 3:14
Frame 1 • 3:10
Frame 2 • 3:12
Frame 3 • 3:14
🎬 Visual: In Scene 67, a woman with curly hair and glasses, wearing a light blue shirt, is seated in a conference room with a blueprint-style wall in the background. The frames capture her during an interview or conversation, as she shifts her posture slightly from facing forward to turning towards her left. The setting and composition remain consistent throughout the scene, with no significant changes in objects or environment.
Scene 68
(6.24s)
3:14 → 3:21
Frame 1 • 3:15
Frame 2 • 3:18
Frame 3 • 3:20
🎬 Visual: In this scene, two women are seated in an office or meeting room, engaged in a discussion. One woman is wearing a blue shirt while the other, in a white shirt labeled "University of Dayton School of Engineering," sits with her arms crossed near a conference table. Over the course of the frames, the focus shifts from the woman in blue to the woman in white, indicating she begins to speak or take a more central role in the conversation.
🎙️ Dialogue:
away from us to their own next great things. So our goal now...
Duration: 6.2s
Scene 69
(12.92s)
3:21 → 3:34
Frame 1 • 3:22
Frame 2 • 3:27
Frame 3 • 3:32
🎬 Visual: In this scene, Rebecca Blust, identified as an associate professor and executive director at the University of Dayton School of Engineering, is seated at a conference table engaged in a discussion or interview. The setting remains consistent throughout the scene, featuring a modern meeting room with schematic diagrams on the walls. Over the three frames, her hand gestures and body posture shift, indicating active participation and emphasis during the conversation.
🎙️ Dialogue:
is to start with the students who are freshmen, again, build on when they're sophomores and juniors. So by the time we get them when they're seniors, they know what Misumi is. They understand where the components are. We don't even have to coach them.
Duration: 12.9s
Scene 70
(2.08s)
3:34 → 3:36
Frame 1 • 3:34
Frame 2 • 3:35
Frame 3 • 3:35
🎬 Visual: In this scene, a child and an adult interact with a robotic arm on a table, with the child operating the control levers and the adult assisting nearby. The robotic arm moves in response to the child's inputs, while the adult reaches out, possibly to guide or stabilize the arm. The setting appears to be a bright, indoor environment, and the notable change between frames is the increasing involvement of the adult as the robotic arm is activated and moves.
🎙️ Dialogue:
Their client doesn't have to coach them, they can go to them.
Duration: 2.1s
Scene 71
(2.04s)
3:36 → 3:38
Frame 1 • 3:36
Frame 2 • 3:37
Frame 3 • 3:37
🎬 Visual: In Scene 71, several students are seated at a classroom table with computers, collaborating on a project while one student in a checked shirt stands and actively engages with others. The main actions involve discussion and note-taking, with key objects including computers, markers, and a chalkboard displaying lesson notes. Over the sequence, the group’s focus shifts towards a computer screen, indicating a progression in their collective work or learning activity.
Scene 72
(1.88s)
3:38 → 3:40
Frame 1 • 3:38
Frame 2 • 3:39
Frame 3 • 3:39
🎬 Visual: In this scene, two workers in a workshop or industrial setting review technical diagrams and assembly instructions posted on a board. One worker actively points to specific parts of the diagrams, while the other observes and engages, indicating a collaborative discussion or problem-solving session. Throughout the frames, their interaction focuses increasingly on a particular section of the schematic, suggesting they are clarifying a detail or step in the assembly process.
🎙️ Dialogue:
really sharp looking.
Duration: 1.9s
Scene 73
(2s)
3:40 → 3:42
Frame 1 • 3:40
Frame 2 • 3:41
Frame 3 • 3:41
🎬 Visual: In this scene, two people interact with a robotic arm and various small wind turbine models on a table in a brightly lit indoor setting, likely a classroom or laboratory. Over the frames, the individuals manipulate red control levers, suggesting they are operating or adjusting the robotic device. The key change is their hands' position on the controls, emphasizing active engagement with the experiment or demonstration.
🎙️ Dialogue:
conceptual design
Duration: 2.0s
Scene 74
(2.16s)
3:42 → 3:44
Frame 1 • 3:42
Frame 2 • 3:43
Frame 3 • 3:43
🎬 Visual: A group of four people sit around a table in a brightly lit collaborative workspace, with one individual demonstrating a yellow tool connected to wires while another works on a laptop. Throughout the scene, the focus remains on the tool and the discussion among the group, with one person gesturing as if explaining or giving feedback. There is no notable change in the participants' positions, but the interaction centers on examining and discussing the technical device.
🎙️ Dialogue:
utilizing Misumi software.
Duration: 2.2s
Scene 75
(2.24s)
3:44 → 3:46
Frame 1 • 3:44
Frame 2 • 3:45
Frame 3 • 3:46
🎬 Visual: In this scene, three individuals are seated at a table in a bright, indoor setting, engaged in a collaborative discussion or meeting. They are focused on a digital tablet and laptop, with one person using a stylus to interact with the tablet while the others observe and hold documents. Over the course of the frames, their attention remains fixed on the digital devices, indicating ongoing teamwork or problem-solving, with minimal changes in posture or focus.
🎙️ Dialogue:
utilizing Misumi components.
Duration: 2.2s
Scene 76
(2.68s)
3:46 → 3:49
Frame 1 • 3:46
Frame 2 • 3:47
Frame 3 • 3:48
🎬 Visual: In this scene, two individuals walk together down a brightly lit hallway with large windows, both carrying backpacks or shoulder bags. At the beginning, one of them raises a hand to his face, and by the middle frame, he is holding a red cup, which he continues to hold while conversing with the other person. The key action is the transition from walking and gesturing to drinking and talking, with both subjects remaining engaged as they move through the corridor.
Scene 77
(6.16s)
3:49 → 3:55
Frame 1 • 3:49
Frame 2 • 3:52
Frame 3 • 3:54
🎬 Visual: In this scene, a person seated at a conference table is engaged in conversation or explanation, as indicated by hand gestures and body language. The subject’s posture changes slightly across the frames, moving from a more animated gesture at the beginning to a relaxed, resting position at the end. The setting appears to be a professional meeting room, with a long table and diagram-themed wall graphics visible in the background; no additional participants are shown.
🎙️ Dialogue:
So, students learn really well from fellow students, right? They learn well from faculty.
Duration: 6.2s
Scene 78
(2.52s)
3:55 → 3:57
Frame 1 • 3:55
Frame 2 • 3:56
Frame 3 • 3:57
🎬 Visual: In this scene set in a conference room, a man hands a document or paper to a woman in a blue shirt while another woman in a white shirt observes. The key action is the transfer of the paper, which the woman in blue receives and examines. Over the three frames, the paper changes hands and the focus shifts from the exchange to the woman in blue holding and looking at the document.
🎙️ Dialogue:
Our seniors learn from our profession.
Duration: 2.5s
Scene 79
(1.84s)
3:57 → 3:59
Frame 1 • 3:57
Frame 2 • 3:58
Frame 3 • 3:59
🎬 Visual: The scene takes place in a classroom or meeting room setting, featuring two women standing near each other. The woman on the left, wearing a blue "Flyers" shirt, gestures expressively with her hands while speaking, as the woman on the right, dressed in a "School of Engineering" shirt, observes. Across the frames, the main notable change is the subtle shifting of hand and body positions as the interaction progresses.
🎙️ Dialogue:
clients. Once those
Duration: 1.8s
Scene 80
(2.08s)
3:59 → 4:01
Frame 1 • 3:59
Frame 2 • 4:00
Frame 3 • 4:01
🎬 Visual: In this scene, two individuals are standing in a meeting room, interacting with a large digital display that shows a bill of materials (BOM) table. The primary action involves the participants discussing or reviewing the information presented on the screen. Throughout the sequence, both individuals remain focused on the display, indicating an ongoing collaborative or instructional activity with no significant movement or change in position.
Scene 81
(6.32s)
4:01 → 4:08
Frame 1 • 4:02
Frame 2 • 4:04
Frame 3 • 4:07
🎬 Visual: In this scene, a person with short light-colored hair and a white shirt is seated at a conference table, engaged in conversation or discussion. The setting is a meeting room with a large wall graphic and typical office furniture visible in the background. Throughout the frames, the subject makes minimal movement, indicating a steady or focused interaction from beginning to end.
🎙️ Dialogue:
work with freshmen to make life easier for them because those seniors are learning it at the senior level.
Duration: 6.3s
Scene 82
(3s)
4:08 → 4:11
Frame 1 • 4:08
Frame 2 • 4:09
Frame 3 • 4:10
🎬 Visual: The scene takes place outdoors on a campus or park-like setting, with two individuals walking side by side, each carrying notebooks and backpacks. Throughout the frames, they appear to be engaged in conversation, with slight changes in their hand gestures and head positions as they walk. The consistent background and subtle shifts in posture suggest a casual interaction as they move along the pathway.
🎙️ Dialogue:
They can already see how impactful it would be.
Duration: 3.0s
Scene 83
(2.12s)
4:11 → 4:13
Frame 1 • 4:11
Frame 2 • 4:12
Frame 3 • 4:12
🎬 Visual: In this scene, two individuals are seated at a table working on an electronic device; one operates a yellow robotic arm while the other uses a tablet. The setting is a modern indoor space with visible plants and shelving in the background. Over the frames, the person with headphones adjusts the robotic arm and leans in closer, indicating active collaboration and troubleshooting.
🎙️ Dialogue:
have been if they would have had it.
Duration: 2.1s
Scene 84
(2.8s)
4:13 → 4:15
Frame 1 • 4:13
Frame 2 • 4:14
Frame 3 • 4:15
🎬 Visual: In this scene, two individuals are working together at a table in a laboratory setting, surrounded by various technical equipment, laptops, and machinery. One person is seated and examining or demonstrating a white handheld device while the other stands nearby, observing or assisting. Throughout the frames, the main subjects remain engaged in the same activity, with no significant change in position or action, indicating focused collaboration on the object.
Scene 85
(2.8s)
4:15 → 4:18
Frame 1 • 4:16
Frame 2 • 4:17
Frame 3 • 4:18
🎬 Visual: In this scene, a person is giving a technical presentation in a conference room, explaining a machine diagram displayed on a large screen. Throughout the frames, the presenter uses hand gestures and a pen to highlight different parts of the machine, while another individual listens attentively from across the table. The scene remains set in a meeting room with a whiteboard and a window, and the presenter shifts their focus on the diagram as the scene progresses.
🎙️ Dialogue:
Our collaboration with Nesumia is giving back.
Duration: 2.8s
Scene 86
(2.92s)
4:18 → 4:21
Frame 1 • 4:19
Frame 2 • 4:20
Frame 3 • 4:21
🎬 Visual: In this scene, three people are gathered in a conference room discussing a "Hands-On Activity" displayed on a large screen, which features an engineering diagram and instructional table. The main actions involve collaborative discussion and pointing at specific details on the screen, with one person leading the explanation while the others engage and ask questions. Over the sequence, participants change posture and gesture to emphasize their points, maintaining active involvement in the technical review.
🎙️ Dialogue:
in our students a unique opportunity.
Duration: 2.9s
Scene 87
(4.28s)
4:21 → 4:25
Frame 1 • 4:22
Frame 2 • 4:23
Frame 3 • 4:25
🎬 Visual: In this scene, a woman with curly hair and glasses, wearing a light blue "Flyers" shirt, is seated at a conference table in a meeting room with blueprints on the back wall. Across the three frames, she slightly shifts her head position, suggesting she is engaged in a conversation or interview. The setting and her posture remain consistent, with no significant changes in background or objects, indicating a focused, stationary interview shot.
🎙️ Dialogue:
to really dive into real-world experiences that they wouldn't otherwise.
Duration: 4.3s
Scene 88
(3.08s)
4:25 → 4:29
Frame 1 • 4:26
Frame 2 • 4:27
Frame 3 • 4:28
🎬 Visual: In this scene, a woman with curly hair and glasses is seated in a conference room featuring a large table and office chairs, with technical drawings visible on the wall behind her. Throughout the sequence, she appears to be engaged in conversation or an interview, with her posture shifting slightly between frames. The background and setting remain consistent, while the woman's body orientation changes subtly, indicating ongoing dialogue.
🎙️ Dialogue:
otherwise have opportunity to go into.
Duration: 3.1s
Scene 89
(4.76s)
4:29 → 4:33
Frame 1 • 4:29
Frame 2 • 4:31
Frame 3 • 4:33
🎬 Visual: In this scene, a woman with curly hair, wearing a light blue shirt with a logo, is seated at a conference table in a meeting room with a blurred blueprint-style wall in the background. Throughout the three frames, she remains seated and facing forward, indicating a stationary interview or discussion setup. There are no significant changes in her posture or the setting between the beginning, middle, and end frames.
Scene 90
(4.56s)
4:33 → 4:38
Frame 1 • 4:34
Frame 2 • 4:36
Frame 3 • 4:37
🎬 Visual: The scene shows a stationary view of an office wall with a prominent "MISUMI" logo and a row of interior windows looking into an office space. The primary subjects are the logo, windows, and visible office equipment and decorations inside, indicating a corporate or industrial setting. Across the three frames, there are no notable changes or movement, maintaining a consistent focus on the branded wall and office interior.
🎙️ Dialogue:
I assume you just acquired a company called
Duration: 4.6s
Scene 91
(5.6s)
4:38 → 4:43
Frame 1 • 4:38
Frame 2 • 4:41
Frame 3 • 4:43
🎬 Visual: In this scene, an individual wearing a “MISUMI” branded shirt is seated and appears to be participating in an interview or discussion within a modern office setting. The subject remains largely still throughout the frames, with only subtle movements of the head or posture. The background features patterned wall decor and office furnishings, with no significant changes or actions occurring between the beginning, middle, and end of the scene.
🎙️ Dialogue:
effective. We spend the $350 million and they are.
Duration: 5.6s
Scene 92
(6.72s)
4:43 → 4:50
Frame 1 • 4:44
Frame 2 • 4:47
Frame 3 • 4:50
🎬 Visual: The scene takes place in an indoor setting with beige walls and abstract black-and-white wall art visible behind the subject, who is wearing a light blue collared shirt and glasses. Across the three frames, the subject remains stationary, seated and slightly turning their head to the left. No significant changes occur in the background or the subject’s posture, indicating a static, conversational moment.
🎙️ Dialogue:
focus the custom components manufacturers, global manufacturers.
Duration: 6.7s
Scene 93
(2.96s)
4:50 → 4:53
Frame 1 • 4:50
Frame 2 • 4:52
Frame 3 • 4:53
🎬 Visual: In this scene, an employee is working at a packing station, preparing items for shipment in a warehouse or factory setting. The worker begins by reaching into a divider box on a conveyor, then retrieves an object from a storage bin, and finally handles the item while standing at the workstation. The environment remains consistent, with blue plastic bins and conveyor rollers visible throughout, and the worker's actions indicate the sequential process of picking and packing items.
🎙️ Dialogue:
So Misumi and the Fifth, we can work together. Misumi's focus.
Duration: 3.0s
Scene 94
(4.88s)
4:53 → 4:58
Frame 1 • 4:54
Frame 2 • 4:56
Frame 3 • 4:58
🎬 Visual: A labeled cardboard box is transported along an automated conveyor system in a warehouse or distribution facility. The sequence begins with the box moving on orange rollers and progresses as it continues towards the edge, eventually exiting onto another section of the conveyor, passing under a metal and yellow safety framework. The main change between frames is the box’s movement from the center of the conveyor to transitioning out of view, indicating its transfer to a new location in the system.
Scene 95
(9.56s)
4:58 → 5:08
Frame 1 • 4:59
Frame 2 • 5:03
Frame 3 • 5:07
🎬 Visual: The scene begins with a wide view of an industrial warehouse featuring conveyor belts, storage racks, and blue bins, establishing the context of a large-scale logistics or manufacturing operation. It then transitions to an interview setting where a person in a MISUMI shirt is talking and gesturing, likely providing information or commentary related to the facility. Over the course of the frames, the subject in the interview continues to explain with varied hand movements, maintaining the focus on their discussion within the professional setting.
🎙️ Dialogue:
help us each other to offer more product to the customers. So that's gonna help customers. That's gonna help Misumi to grow faster.
Duration: 9.6s
Scene 96
(2.36s)
5:08 → 5:10
Frame 1 • 5:08
Frame 2 • 5:09
Frame 3 • 5:10
🎬 Visual: The scene takes place inside a large, modern warehouse featuring conveyor belts, racks of boxes, computer stations, and industrial shelving. Throughout the three frames, the setting remains unchanged with no visible movement or activity, suggesting a static overview of the facility. The focus is on the organized logistics infrastructure, highlighting the operational readiness and scale of the warehouse.
🎙️ Dialogue:
In case you miss me, I'll see you in the next video.
Duration: 2.4s
Scene 97
(2.48s)
5:10 → 5:12
Frame 1 • 5:10
Frame 2 • 5:11
Frame 3 • 5:12
🎬 Visual: In this scene, a MISUMI-branded cardboard box is shown moving along a conveyor belt in what appears to be a warehouse or packaging facility. The frames capture the box from slightly different angles as it progresses forward, with the focus remaining on the box’s logo and slogan, "Your Time, Our Priority." There are no notable changes in subjects or objects between frames, highlighting the box's steady movement through the setting.
🎙️ Dialogue:
And since we have the many money
Duration: 2.5s
Scene 98
(4.12s)
5:12 → 5:17
Frame 1 • 5:13
Frame 2 • 5:14
Frame 3 • 5:16
🎬 Visual: The scene takes place inside a large industrial warehouse, focusing on a towering automated storage system filled with numerous storage bins. The camera begins with a wide shot of the storage wall, then transitions closer, and finally ends with a close-up of blue bins and a mechanical arm or device interacting with them. Throughout the scene, the main action is the movement from a broad overview of the automated system to a detailed view of its operation, highlighting the organized structure and mechanized material handling.
Scene 99
(2.48s)
5:17 → 5:19
Frame 1 • 5:17
Frame 2 • 5:18
Frame 3 • 5:19
🎬 Visual: In this scene, several blue plastic bins travel along a conveyor system in a modern, industrial facility, as shown from the beginning to the end of the sequence. The key action is the movement of these bins forward on the conveyor, passing under yellow signal lights located throughout the system. There are no notable changes in the bins' number or their positions except for gradual advancement along the track, and the setting appears clean and organized, with visible signage and industrial decor in the background.
🎙️ Dialogue:
China and also Southeast Asia.
Duration: 2.5s
Scene 100
(3.64s)
5:19 → 5:23
Frame 1 • 5:19
Frame 2 • 5:21
Frame 3 • 5:22
🎬 Visual: In this scene, a person wearing a shirt branded with "MISUMI" sits at a table in a modern office or meeting room, with geometric wall art in the background. The individual begins by sitting still, then makes a gesture with their left hand, and continues speaking or explaining, as indicated by their hand movement. The setting and body language suggest a formal interview or discussion, with a shift from listening to actively communicating.
🎙️ Dialogue:
so we can provide the same part numbers to the customer.
Duration: 3.6s
Scene 101
(3.44s)
5:23 → 5:26
Frame 1 • 5:23
Frame 2 • 5:24
Frame 3 • 5:26
🎬 Visual: In this scene, a person wearing a light blue button-up shirt is seated indoors against a wall decorated with abstract line art. The individual remains in the same position throughout the three frames, indicating a static interview or conversation setting. There are no significant changes in posture or objects between the beginning, middle, and end frames.
🎙️ Dialogue:
So that really makes a difference between our computers.
Duration: 3.4s
Scene 102
(2.52s)
5:26 → 5:29
Frame 1 • 5:26
Frame 2 • 5:27
Frame 3 • 5:28
🎬 Visual: Two women are seated on a blue bench in a modern, indoor setting, engaged in conversation. One wears a white shirt labeled “School of Engineering” and holds keys and a phone, while the other is in a blue shirt with an embroidered red insignia. Over the three frames, the woman in white shifts her hand and body position, indicating active participation in the ongoing dialogue.
Scene 103
(2.6s)
5:29 → 5:31
Frame 1 • 5:29
Frame 2 • 5:30
Frame 3 • 5:31
🎬 Visual: In this scene, a person in a black shirt stands in a warehouse or industrial facility, facing a workstation equipped with a broom and various tools. Stacks of cardboard or packaging materials are visible in the foreground, and conveyor belts with boxes fill the background. Over the course of the frames, the subject remains stationary, with minimal movement, as the camera maintains a consistent focus on the individual and the organized workspace behind.
🎙️ Dialogue:
in the evolution of the industry, we've really had to...
Duration: 2.6s
Scene 104
(2.6s)
5:31 → 5:34
Frame 1 • 5:31
Frame 2 • 5:33
Frame 3 • 5:34
🎬 Visual: In this scene, a woman wearing a light blue "Flyers" shirt sits in a modern room with blue seating and gray paneled walls. She is engaged in a conversation, using expressive hand gestures that change position through the frames, suggesting emphasis or explanation. The notable change across the frames is her hand moving from a pointing gesture at the beginning to a more open palm gesture at the end, indicating a shift in her manner of communication.
🎙️ Dialogue:
to change and adapt. And I think that's one of the...
Duration: 2.6s
Scene 105
(2.88s)
5:34 → 5:37
Frame 1 • 5:34
Frame 2 • 5:35
Frame 3 • 5:36
🎬 Visual: In this scene, a person in a suit stands in a warehouse environment, surrounded by blue storage bins and industrial shelving. Over the sequence of frames, the individual shifts their posture and gaze, looking to the side as if observing or responding to something off-camera. The context suggests an inspection or assessment scenario, with no significant changes in the warehouse setting between the frames.
🎙️ Dialogue:
strengths of Missoumi is we always adapt to change.
Duration: 2.9s
Scene 106
(7.76s)
5:37 → 5:44
Frame 1 • 5:37
Frame 2 • 5:41
Frame 3 • 5:44
🎬 Visual: A person wearing a black MiSUMi-branded polo shirt is seated indoors, speaking and gesturing with their hands in front of a large window that overlooks an industrial or warehouse setting. The sequence shows the subject making expressive hand movements at the beginning, then transitioning to more controlled gestures before clasping their hands together at the end. The background remains consistent throughout, highlighting the interview-style setting without notable changes in context or subjects other than hand positions.
Scene 107
(4.6s)
5:44 → 5:49
Frame 1 • 5:45
Frame 2 • 5:47
Frame 3 • 5:49
🎬 Visual: In this scene, a person wearing a black collared shirt and glasses stands indoors, positioned in front of a window or glass divider with a blurred industrial or office background visible. Throughout the three frames, the individual turns slightly from facing forward to looking more to the right, indicating a subtle change in gaze or attention. The setting remains consistent, suggesting the scene focuses on the person's reaction or participation during an interview or conversation.
🎙️ Dialogue:
so that we're always able to provide whatever the customer needs, no matter what that may be, so that they can adapt.
Duration: 4.6s
Scene 108
(1.96s)
5:49 → 5:51
Frame 1 • 5:49
Frame 2 • 5:50
Frame 3 • 5:51
🎬 Visual: In this scene, a person wearing a MiSUMi branded shirt is speaking in front of a large window overlooking an industrial or warehouse setting. The main actions involve the individual gesturing with their hands, which move from expressive and open in the first frame to a more composed position in the final frame, indicating a shift from explanation to conclusion. The background and setting remain consistent throughout, providing contextual continuity for an interview or testimonial format.
🎙️ Dialogue:
We can adapt, and we can adapt.
Duration: 2.0s
Scene 109
(20.789s)
5:51 → 6:12
Frame 1 • 5:53
Frame 2 • 6:01
Frame 3 • 6:10
🎬 Visual: In this scene, the video first displays the MiSUMi company logo and slogan "Your Time, Our Priority" on a white background. It then transitions to a credit screen stating, "This program was produced solely by ACUMEN" on a black background. The scene ends with a fully black screen, marking the conclusion of the credits and the video.
🎙️ Dialogue:
♪♪ ♪♪
Duration: 20.8s