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Video ID: article-1760301907813-658587

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Scene 1 (1.467s)
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🎬 Visual: In this scene, a male news anchor seated at a desk discusses a headline about critics accusing Trump of using the DOJ to target opponents, as shown by the on-screen graphics. The setting is a television news studio with clear branding for ABC’s “This Week.” Across the frames, the anchor remains in position while the headline and program information remain unchanged, indicating a steady on-air segment introduction.
🎙️ Dialogue:

We're joined now by Vice President.

Duration: 1.5s
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🎬 Visual: In this scene, a male subject dressed in a suit and red tie is shown seated for a televised interview segment, with two American flags and an official seal in the background, indicating a formal government setting. The chyron transitions from discussing accusations against Trump regarding use of the DOJ, to identifying the segment as an exclusive one-on-one interview with Vice President JD Vance. The key change across the frames is the overlay text, shifting the focus from controversy coverage to the featured interview.
🎙️ Dialogue:

J.D. Vance, Mr. Vice President, thank you for joining us.

Duration: 2.1s
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🎬 Visual: In this scene, a television news host conducts a remote interview with Vice President JD Vance, who appears on a large video screen in a studio decorated with blue and red colors and "This Week" branding. The main action consists of the host conversing with the guest, with the setting remaining consistent throughout the frames. There are no notable changes in subject positions or objects between the beginning, middle, and end frames, indicating a steady interview format.
🎙️ Dialogue:

us this morning. Let's start with the Middle East.

Duration: 2.2s
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🎬 Visual: A television news interview takes place in a studio setting, featuring a male host in a dark suit and red polka-dot tie. The segment begins with a one-on-one discussion about Vice President JD Vance, then shifts to breaking news regarding Hamas being expected to release all hostages and remains by Monday. The subject maintains a seated position throughout, while the on-screen graphics update to reflect the progression of topics being covered.
🎙️ Dialogue:

The Wall Street Journal is reporting that Hamas has confirmed they are holding 20 living hostages and that those hostages are going to be released in the next 24 hours, early as today perhaps. Have 20 living hostages been confirmed? When do you expect to see them?

Duration: 12.8s
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🎬 Visual: The scene takes place in a television studio where an in-person host is conducting a live interview with a guest shown on a large screen, identifiable by a suit, tie, and American flag pin, with U.S. flags in the background. The main action consists of the ongoing interview or discussion, as both the host and guest maintain their positions throughout the frames, with only slight changes in posture. The setting remains consistent, focused on the serious news headline regarding the expected release of hostages by Hamas, as highlighted in the news ticker.
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🎬 Visual: In this scene, an individual in formal attire delivers a statement on a news program, with two American flags and a government seal visible in the background, setting a formal and official context. The chyron highlights a major news event: “HAMAS EXPECTED TO RELEASE ALL HOSTAGES AND REMAINS BY MONDAY,” while additional information about political figures and topics scrolls below. Across the three frames, the individual maintains a stationary position as the scene focuses on the broadcast of the statement without notable visual changes.
🎙️ Dialogue:

Well, they've been confirmed, George. Of course, you don't know until you see these people alive, but thank God we expect to see them alive here in the next 24 hours, probably early tomorrow morning U.S. time, which will be later in the day, of course, in Israel. But look, George, we have to remember, this is a remarkable achievement from an administration that really chose a nonconventional path to diplomacy, and I think that's the major takeaway. The President of the United States instructed Marco Rubio, Jared Kushner, Steve Whitcoff, he said, get a deal done, talk to the Gulf Arab states, talk to Israel, find where there's common ground here, and actually let's go and find a way to get it done. And because of that, we are on the cusp of true peace in the Middle East, really for the first time in my lifetime. Certainly, these 20 hostages are going to come home to their families, George. I think this is a great moment for our country. Our country should be proud of our diplomats who made this happen. It's really a great moment for the world, too, which is why the President's going to go over there and celebrate with these hostages. It's a great thing, and I'm very excited about it.

Duration: 59.8s
Scene 7 (10.377s)
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🎬 Visual: In this scene, a suited individual is featured in a studio news setting, seated at a desk with a microphone attached. The onscreen graphics highlight a major news headline regarding Hamas expected to release hostages, with additional information about government officials and program segments. Across the three frames, the person's posture changes slightly, shifting from looking down to turning to the side, indicating a transition in the discussion or engagement with others off-camera.
🎙️ Dialogue:

U.S. troops are being sent to Israel to monitor the agreement. What exactly will they be doing? Will they actually go into Gaza? And are you concerned they could get caught in some crossfire?

Duration: 10.4s
Scene 8 (1.134s)
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🎬 Visual: In this scene, a live interview segment takes place on the set of "This Week," with a studio host speaking to a guest who appears remotely via video call. The main subjects are the host, seated and facing a large screen, and the guest, who is shown in formal attire with U.S. flags in the background. Throughout the frames, the visual setup remains constant, focusing on political discussion about the expected release of hostages, as highlighted by the breaking news banner.
🎙️ Dialogue:

Thank you.

Duration: 1.1s
Scene 9 (58.058s)
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🎬 Visual: In this scene, a person in formal attire delivers a statement or interview on a news program, with American flags and an official government seal visible in the background, indicating a formal setting. The news ticker reports on U.S. troops arriving in Israel to oversee a coordination center, and the lower third identifies topics and speakers related to current U.S. political events. There are no notable changes in camera angle or setting between the frames, suggesting a continuous, uninterrupted broadcast segment.
🎙️ Dialogue:

George, so that story is actually misreported. We already have troops at central command. We've had them for decades in this country. They're going to monitor the terms of the ceasefire. That's everything from ensuring that the Israeli troops are at the agreed upon line, ensuring that Hamas is not attacking innocent Israelis, doing everything that they can to ensure the peace that we've created actually sustains and endures. But the idea that we're going to have troops on the ground in Gaza, in Israel, that is not our intention. That is not our plan. There was a bit of a misreporting there, but we are going to monitor this peace to ensure that it endures. The other piece of good news that's been underreported, I think, George, is that Indonesia and a number of other majority Muslim states, they've actually offered to send ground troops to Gaza to ensure the necessary peacekeeping takes place. That's not something the United States is going to be expected to do. That's something the Muslim world is going to step up and do, and that, again, is because of the Trump administration's diplomacy. The President's diplomacy is not going to stop. It's going to continue.

Duration: 58.1s
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🎬 Visual: In this scene, a television news program features an interview conducted via video call between the in-studio host and a guest, with the discussion focused on the arrival of U.S. troops in Israel to oversee a coordination center, as indicated by the headline. The setting is a modern TV studio with prominent banners and a large screen showing the remote guest. Across the three frames, both participants maintain their positions, indicating a sustained interview segment without significant changes in action or composition.
Scene 11 (23.891s)
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🎬 Visual: In this scene, a news show covers recent political and military developments, beginning with coverage of U.S. troop deployments to Israel. The discussion then shifts to legal challenges facing troop deployments in Chicago and Portland, accompanied by commentary and analysis. The scene concludes with a highlighted quote from Gov. Kevin Stitt about states' rights and federalism, providing additional context to the segment's main topic.
🎙️ Dialogue:

in several American cities, as you know. That's been questioned by several federal judges, including Trump appointees, also the Republican governor of Oklahoma and chairman of the National Governors Association, Kevin Stitt. Here's what Governor Stitt said. We believe in the federalist system that states rights. Oklahomans would lose their mind if Pritzker and Illinois sent troops down to Oklahoma during the Biden administration. How do you respond to Governor Stitt?

Duration: 23.9s
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🎬 Visual: In Scene 12, a television interview is conducted in a studio setting where the host speaks with a guest appearing remotely on a large screen, with U.S. flags and official insignia visible behind the guest. The topic discussed is the legal blocks facing Trump's Chicago and Portland deployments, as indicated by the headline on the screen. Across the three frames, the host remains seated facing the guest, and the visual context and subject positions do not notably change during the scene.
🎙️ Dialogue:

you

Duration: 1.0s
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🎬 Visual: This scene features a televised interview segment with Vice President JD Vance, set in a formal location with American flags and an official seal in the background. At the start, the interview is introduced; in the middle and end frames, the news ticker shifts to coverage about Governor Stitt criticizing the deployment of the Texas National Guard to Chicago. The interview subject remains stationary throughout, with only minor changes in ticker text and network branding indicating progression in the segment.
🎙️ Dialogue:

Well, I'd say the governor, you have to look at what's happening on the ground in Chicago. And the reason why Illinois is a different case from Chicago is because Chicago has been given over to lawlessness and gangs for too long, George. If you look at the murder rates in Chicago, the violent crime rates, you have women who have young families. They're terrified their kids are going to get killed in a drive-by shooting. We have accepted this for far too long in the United States of America and some of our biggest cities. And Chicago, unfortunately, is the worst. It's a beautiful city. It's got great people. We know the gross majority of the violent crime in that city is committed by a very tiny fraction of the population. Why shouldn't federal troops empower the people in Chicago to live safe lives when the governor and the local mayor just simply refuse to do their job? But as you know...

Duration: 49.1s
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🎬 Visual: In this scene, a male guest in a suit and red polka-dot tie is seated in a news studio, discussing current political topics as indicated by the on-screen headline about Gov. Stitt's criticism of the deployment of the Texas National Guard to Chicago. The subject’s posture changes slightly across the frames, with hand movement visible in the final frame, suggesting engagement in conversation. The setting remains a professional broadcast environment, and both the headline and network branding (ABC) stay consistent throughout.
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🎬 Visual: In this scene, a television news program features a remote interview between a studio host and a guest, with the guest displayed on a large screen in the studio. The main topic being discussed, as indicated by the on-screen text, is a judge's temporary block of National Guard deployment in Chicago. Across the three frames, the subjects remain in a consistent setting, with the host and guest maintaining their positions, indicating a continuous on-air discussion of the news event.
Scene 16 (66.133s)
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🎬 Visual: In this scene, Vice President JD Vance delivers a televised statement or interview, discussing the temporary block on the National Guard deployment in Chicago. The setting consistently features two flags in the background and a news ticker showing related headlines. Across the frames, the subject remains seated and the shot composition is stable, emphasizing the continuity of the broadcast segment.
🎙️ Dialogue:

Well, George, we're obviously going to litigate this as much as we can. We think that we have the authority to provide proper safety to our citizens all over the United States, but particularly in Chicago. But I think for any federal judge or anybody else to look at the situation and say, is it tolerable? And I think the obvious answer, George, is no. The president looks at the situation. He sees the fact that you have multiple people dying of murders every weekend in the city of Chicago. And he says, this is intolerable. It's not just the people who live in Chicago. It's the law enforcement in Chicago, federal, state, and local, who are trying to keep us safe. George, you've seen ICE agents being teed off on in suburban Chicago, in places all over the state of Illinois, and other places, too. You see a 1,000% increase in violence against our ICE agents. They're being assaulted. They're being beaten. They're being shot at. I think all Americans, Democrat or Republican, we look at this scenario. We say, this is not acceptable. We want people to be safe. We want our law enforcement officials to be empowered to keep us safe. We can do this. And that's exactly what the Trump administration has committed to doing.

Duration: 66.1s
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🎬 Visual: In this scene, a news anchor is presenting a segment in a studio setting, as indicated by the ABC network logo and on-screen graphics. The main subject sits at a desk and adjusts his posture, glancing downward in the middle frame before returning his gaze forward by the end. The broadcast discusses a judge's temporary block of the National Guard deployment to Chicago, as stated in the headline ticker.
🎙️ Dialogue:

next guest. President Trump has said that he should be in jail. Do you think Governor Pritzker has committed a crime?

Duration: 6.2s
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🎬 Visual: The scene takes place in a television studio during a news interview segment, where the host speaks with a guest via a large video screen. The key subjects are the studio host and the remote guest, with the discussion focused on a recent legal decision temporarily blocking the National Guard deployment in Chicago, as indicated by the news banner. Across the three frames, both participants remain in their positions and the set remains consistent, with no notable movement or significant change between the beginning, middle, and end of the scene.
Scene 19 (37.204s)
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🎬 Visual: In this scene, a man dressed in a suit is shown speaking in a television news interview, with two American flags and official emblems positioned in the background, indicating a formal setting. The headline on screen highlights a statement regarding calls for the jailing of the Chicago mayor and Illinois governor, and the banner transitions by the end of the scene to promote an upcoming exclusive segment with Governor JB Pritzker about a federal takeover threat in Chicago. The content and lower-thirds change between frames, reflecting a shift from news coverage to a preview of the next interview.
🎙️ Dialogue:

Well, I think Governor Pritzker has certainly failed to keep the people of Illinois safe. And it's interesting to me, you know, Governor Pritzker will talk a lot, I'm sure, about how bad Donald Trump is, about how bad I am, and about how bad the administration is. He is the governor of a state that where its biggest city has murder rates that rival the most violent places in the third world, George. Why is he so mad at Donald Trump for trying to keep Chicagoans safe? He should be mad at the criminals that he has failed to keep at bay. We're trying to help him, and we're trying to help the residents of his biggest city. I wish that he would let us, because he certainly isn't doing the job himself.

Duration: 37.2s
Scene 20 (4.104s)
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🎬 Visual: The scene takes place in a television news studio, where a male anchor or guest, wearing a suit and red polka-dot tie, discusses the headline topic: “Trump calls for jailing of Chicago mayor and IL gov.” The key action involves the speaker gesturing with his hands in the early frames and then shifting to a more contemplative pose with his hand near his chin by the end. The setting remains constant, with on-screen graphics indicating this is an ABC "This Week" segment, and the subject’s body language subtly changes from expressive to thoughtful through the sequence.
🎙️ Dialogue:

if you agree with President Trump that Governor Pritzker has committed a crime.

Duration: 4.1s
Scene 21 (20.254s)
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🎬 Visual: In this scene, a man in a suit and red tie gives a televised interview or statement, positioned in front of two American flags and a flag of Illinois. The setting remains consistent, suggesting a formal or official context related to the Trump administration, with the headline discussing calls for jailing Chicago’s mayor and Illinois’ governor. No significant changes in subject positioning or background occur between frames, indicating a continuous shot focused on delivering a message.
🎙️ Dialogue:

Well, I think that Governor Pritzker has allowed a lot of people to be killed in the city of Chicago and elsewhere, George. I think that it's disgraceful, and I think that he absolutely should suffer some consequences for the fact that there are thousands of innocent Chicagoans who are dead because he failed to do his job.

Duration: 20.3s
Scene 22 (2.736s)
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🎬 Visual: The scene takes place in a news studio, featuring a well-dressed anchor or host discussing a political topic, indicated by the lower third text "TRUMP CALLS FOR JAILING OF CHICAGO MAYOR AND IL GOV." The main action is the host gesturing with a pen while speaking, as the background and graphics remain consistent except for a shift in the onscreen network branding from "abc" to "abc this week" in the final frame. This suggests a transition within the segment or program while maintaining a focus on the news discussion.
Scene 23 (0.834s)
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🎬 Visual: In this scene, a news anchor conducts a remote interview with a guest who appears on a large screen in a television studio setting. The discussion centers around a headline reporting that Trump has called for the jailing of the Chicago mayor and Illinois governor. Across the three frames, the studio setup remains constant, with the anchor facing the screen and the guest positioned in front of U.S. and Illinois state flags, and there are no notable changes in the participants' actions or positions.
Scene 24 (22.356s)
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🎬 Visual: The scene consists of a formal televised interview segment, featuring a person in a suit seated in front of American and Illinois state flags, with news graphics displaying a headline about Trump calling for the jailing of the Chicago mayor and Illinois governor. The setting remains consistent throughout the frames with no notable changes in the background or the subject’s position. The news chyron at the bottom, as well as station branding, provide context that this is a political interview or statement broadcast on ABC’s “This Week.”
🎙️ Dialogue:

George, you're going to keep on asking this question. I'm going to keep on telling you that Governor Pritzker has failed to do his job. He should suffer some consequences. Whether he's violated a crime, ultimately, I would leave to the courts, but I certainly think that he has violated his fundamental oath of office. That seems pretty criminal to me. I'd leave it to a judge and jury to decide whether he's actually violated a crime.

Duration: 22.4s
Scene 25 (43.676s)
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🎬 Visual: In this scene, a news broadcast discusses recent actions and accusations involving former President Trump and his administration. The segment begins with coverage of Trump's call for jailing the Chicago mayor and Illinois governor, then shifts to reporting on allegations of mortgage fraud which have resulted in charges against New York Attorney General Letitia James. The key subjects are political figures and officials, with the setting being a television news studio complemented by graphics that highlight the main events and changes in focus throughout the scene.
🎙️ Dialogue:

Let me also ask you, as we saw the indictment this week of Letitia James on questions of mortgage fraud. Also, Lisa Cook has been accused by the Trump administration of committing mortgage fraud as well. The journalism outlet ProPublica has actually published a story, and I want to show it up on the screen right now, that says that several members of the Trump administration have faced similar questions. Labor Secretary Lori Chavez-Durham entered into two primary residence mortgages in quick succession. Transportation Secretary Sean Duffy has primary residence mortgages in New Jersey and Washington, D.C. Lee Zeldin, the Environmental Protection Agency administrator, has one primary residence mortgage in Long Island and another in Washington, D.C. How do you respond to critics who say that the Trump administration is engaging in a

Duration: 43.7s
Scene 26 (1.702s)
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🎬 Visual: In this scene, a guest on the news program "This Week" sits in a studio set and appears to be listening or preparing to speak, with lower thirds reporting on the indictment of N.Y. AG Letitia James on claims of mortgage fraud. The key subject is the guest, dressed in a suit and red polka-dot tie, positioned at a desk with the headline and network branding clearly visible throughout all frames. There is minimal motion or change between the frames, indicating a moment of pause or transition during the broadcast.
🎙️ Dialogue:

and a double standard here.

Duration: 1.7s
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🎬 Visual: The scene begins with a male speaker delivering commentary on a political topic, with U.S. flags and official insignia visible in the background. Midway, the video shifts to a split-screen format, introducing a second speaker in front of a blue backdrop, indicating a remote interview or discussion. By the end of the scene, the focus returns to the original speaker, maintaining the same setting as the beginning.
🎙️ Dialogue:

Well, I'd say two things, George. First of all, ProPublica is basically a left-wing blog. I'm not shocked that you found a left-wing blog that can attack members of the Trump administration. But second, and this is the most important, is what does the law say? Letitia James was indicted in a left-leaning part of our country, a part that voted very heavily against Donald J. Trump for the crime of mortgage fraud. When I read the indictment, when I read the facts in the case, I see a person who committed mortgage fraud. Of course, the jury is going to decide whether she ultimately committed a crime. We don't try her. The administration doesn't try her. A judge tries the case, and a jury decides whether she's ultimately guilty. That is what is going to determine whether she goes to prison. I think we let the facts drive this, and George, that's what we've tried to do in the administration's Department of Justice. We've asked ourselves, has a person violated the law? And if that person has violated the law, then we decide to prosecute them. That's what the Department of Justice should do. It didn't do that under Joe Biden's administration. It does under Donald Trump's.

Duration: 59.1s
Scene 28 (4.505s)
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🎬 Visual: During Scene 28, a guest is shown seated in a television studio, likely participating in a news discussion segment. The chyron highlights a report about Trump officials with dual primary residence mortgages, and the onscreen graphics remain consistent throughout the frames. There is minimal physical movement by the subject, indicating a steady interview or commentary in progress.
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🎬 Visual: The scene takes place in a television studio during a news interview segment, where the host is speaking with a guest via video call, as shown on a large screen. The segment focuses on a news report about Trump officials having dual primary residence mortgages, as highlighted in the headline. Across the three frames, the studio setting remains consistent, and both subjects maintain their positions, with no notable actions or changes between frames.
Scene 30 (33.2s)
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🎬 Visual: In Scene 30, a man wearing a suit and red tie is seated for a televised interview or statement, with two American flags and a government seal visible in the background, indicating an official setting. The scene remains visually consistent across the beginning, middle, and end frames, with no notable changes in camera angle or subject positioning. The news ticker throughout discusses a report about Trump officials having dual primary residence mortgages, suggesting the topic of discussion or context.
🎙️ Dialogue:

Do I dispute a far-left blog that I haven't read that you brought up in this interview? I have no idea, George. I have no idea what they actually said. But I certainly question the source, I question their credibility, and most importantly, I'm not worried about what they said about members of our administration. I ask the question, what does the law say? And if the law says that you engage in mortgage fraud, and a local prosecutor, a local grand jury, and finally a jury convicts you of that crime, then that is how the justice system is meant to work in the United States of America.

Duration: 33.2s
Scene 31 (9.343s)
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🎬 Visual: In these three frames from Scene 31, a television news segment is underway, set in a studio with a blue background and ABC branding. The subject is seated, wearing a suit and red polka-dot tie, as the lower-third ticker transitions from reporting on Trump officials with dual residence mortgages to promoting an upcoming exclusive interview with Vice President JD Vance. The notable change across the frames is the shift in the headline, indicating a transition in the broadcast's topic focus.
🎙️ Dialogue:

are Tom Holman was recorded on an FBI surveillance tape in September 2024 accepting $50,000 in cash. Did he keep that money or give it back?

Duration: 9.3s
Scene 32 (1.134s)
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🎬 Visual: In this scene, a television interview takes place on the set of “This Week,” where the host speaks remotely with Vice President JD Vance, whose image is displayed on a large studio screen. Key objects include the American flag in the background, interview graphics, and studio lighting that remain consistent throughout the frames. There are no notable changes in subjects or scene composition between the beginning, middle, and end frames, indicating a continuous interview segment.
Scene 33 (47.08s)
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🎬 Visual: In this scene, Vice President JD Vance is featured in a television interview, indicated by the on-screen graphics and news ticker. The setting remains consistent throughout, with American flags and an official emblem in the background, suggesting a formal governmental context. As the scene progresses, the headline changes from announcing the interview to reporting on the Justice Department ending a probe related to an FBI sting, marking a notable shift in the news focus.
🎙️ Dialogue:

George, you've covered the story ad nauseum. Tom Homan did not take a bribe. It's a ridiculous smear, and the reason you guys are going after Tom Homan so aggressively is because he's doing the job of enforcing the law. I think it's really preposterous. I know Tom, I think that he's a good man. He gets death threats, he gets attacked, he gets constantly threatened by people because he has the audacity to want to enforce the country's immigration laws. I think that it would be a much more interesting story about why is it that Tom Homan, who is simply enforcing America's immigration laws, is getting constantly harassed and threatened to the point of death threats. That's a much more interesting question that I think journalists should focus on. We can agree to disagree on that question.

Duration: 47.1s
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🎬 Visual: The scene takes place in a television news studio, where a person in a suit and red polka-dot tie is being interviewed or delivering commentary. The individual appears to be speaking, with a hand gesture visible in the middle frame, while a headline on the screen reports on the DOJ ending a probe into a person allegedly accepting $50K in an FBI sting. No major changes in setting or composition occur between frames, aside from the subject's hand movement indicating ongoing conversation or explanation.
🎙️ Dialogue:

He didn't take a bribe, but I'm not sure you answered the question. Are you saying that he did not accept the $50,000?

Duration: 6.0s
Scene 35 (1.035s)
10:05 → 10:06
Frame 1
Frame 1 • 10:05
Frame 2
Frame 2 • 10:05
Frame 3
Frame 3 • 10:06
🎬 Visual: In Scene 35, the video captures a television interview segment on the set of "This Week," where a host engages in a remote discussion with a guest displayed on a large screen. Key objects include the American flag, official seals, and the studio’s branded backdrop, while the onscreen text highlights breaking news about the DOJ ending a probe into an alleged $50K FBI sting. No significant changes in subjects or positioning occur between the three frames; the interview setup remains consistent throughout the scene.
🎙️ Dialogue:

Thank you.

Duration: 1.0s
Scene 36 (20.387s)
10:06 → 10:26
Frame 1
Frame 1 • 10:08
Frame 2
Frame 2 • 10:16
Frame 3
Frame 3 • 10:24
🎬 Visual: In this scene, a person wearing a suit and red tie is shown delivering a statement in a formal setting featuring American flags and official insignia in the background. The lower-third text reveals breaking news regarding the DOJ ending a probe into an individual accused of accepting $50,000 in an FBI sting, as well as program details about Vice President JD Vance and exclusive coverage. Throughout the three frames, the subject remains seated and facing the camera, with minimal visible change in posture or setting, emphasizing a steady, news-style broadcast delivery.
Scene 37 (8.675s)
10:26 → 10:35
Frame 1
Frame 1 • 10:27
Frame 2
Frame 2 • 10:31
Frame 3
Frame 3 • 10:34
🎬 Visual: In this scene, a news anchor sits at a desk delivering or discussing breaking news about the DOJ ending its probe into Homan allegedly accepting $50K in an FBI sting. The broadcast takes place in a studio with a blue background, and the content shown on the lower third remains consistent throughout, though the program’s branding in the lower right corner transitions from "abc" to "abc this week". The anchor maintains a similar posture, emphasizing the continuity and focus of the segment.
🎙️ Dialogue:

which is why he's working in the administration. I'm asking you, did he accept the $50,000 that was caught on the surveillance? Did he accept that $50,000 or not?

Duration: 8.7s
Scene 38 (7.307s)
10:35 → 10:42
Frame 1
Frame 1 • 10:36
Frame 2
Frame 2 • 10:39
Frame 3
Frame 3 • 10:42
🎬 Visual: In this scene, a male figure wearing a suit and red tie delivers a televised statement or interview, seated in front of two American flags and a government seal backdrop. The setting is a formal environment, likely a studio or government office, with a news ticker on the bottom providing information about a DOJ investigation and political topics. Across the frames, the figure remains stationary and the content on the ticker bar stays consistent, indicating a continuous segment without notable visual changes.
🎙️ Dialogue:

George, I don't know what you're talking about. Did he accept $50,000 for what? He was recorded.

Duration: 7.3s
Scene 39 (8.342s)
10:42 → 10:51
Frame 1
Frame 1 • 10:43
Frame 2
Frame 2 • 10:47
Frame 3
Frame 3 • 10:50
🎬 Visual: In this scene, a suited individual sits at a news desk on an ABC broadcast discussing the DOJ’s decision to end a probe into an alleged $50K acceptance in an FBI sting, as shown in the onscreen headline. The setting is a studio backdrop with news tickers at the bottom highlighting related political topics. Throughout the three frames, the subject's posture shifts slightly, indicating ongoing commentary or response to the news headline.
🎙️ Dialogue:

on an audio tape in September 2024, an FBI surveillance tape accepting $50,000 in cash. Did he keep that money?

Duration: 8.3s
Scene 40 (31.799s)
10:51 → 11:22
Frame 1
Frame 1 • 10:54
Frame 2
Frame 2 • 11:07
Frame 3
Frame 3 • 11:19
🎬 Visual: In this scene, a formal interview or statement is conducted with Vice President JD Vance, set against a background featuring the American and official flags, and displayed with lower-third news graphics. The segment begins by discussing the DOJ ending a probe, transitions to a branded "this week" broadcast in the middle, and concludes with a focus on a one-on-one interview with JD Vance. The progression of the frames shows a shift in the topics highlighted on the news ticker and branding elements, marking distinct phases of the televised segment.
🎙️ Dialogue:

Accepting $50,000 for doing what, George? I'm not even sure I understand the question. Is it illegal to take a payment for doing services? The FBI has not prosecuted him. I've never seen any evidence that he's engaged in criminal wrongdoing. Nobody has accused Tom of violating a crime, even the far-left media like yourself. So I'm actually not sure what the precise question is. Did he accept $50,000? Honestly, George, I don't know the answer to that question. What I do know is that he didn't violate a crime.

Duration: 31.8s
Scene 41 (4.704s)
11:22 → 11:27
Frame 1
Frame 1 • 11:23
Frame 2
Frame 2 • 11:25
Frame 3
Frame 3 • 11:27
🎬 Visual: In this scene, a television news program features a one-on-one interview with Vice President JD Vance, as indicated by the on-screen text and news banners. The key subject is a suited male figure seated in a studio setting, with consistent background and posture across the three frames. There is no notable change between the frames; the scene focuses on the individual during the interview segment, maintaining a professional newscast atmosphere.
Scene 42 (1.702s)
11:27 → 11:29
Frame 1
Frame 1 • 11:27
Frame 2
Frame 2 • 11:28
Frame 3
Frame 3 • 11:29
🎬 Visual: The scene takes place in a television studio where an anchor conducts a virtual interview with Vice President JD Vance, who appears on a large screen with a backdrop featuring an American flag. The main action in the frames is a continuous, one-on-one discussion, as indicated by the consistent posture and setting of both the anchor and guest. There are no notable changes between frames; the scene remains focused on the interview format and political context.
Scene 43 (61.495s)
11:29 → 12:30
Frame 1
Frame 1 • 11:35
Frame 2
Frame 2 • 12:00
Frame 3
Frame 3 • 12:24
🎬 Visual: In this scene, Vice President JD Vance participates in a televised interview segment for "This Week," seated in front of American flags and official emblems. The main action consists of Vance responding to questions, with the final frame showing him raising his right hand for emphasis. The setting remains consistent throughout, but his hand gesture in the last frame suggests an increase in engagement or emphasis as the interview progresses.
🎙️ Dialogue:

I don't know what tape you're referring to, George. I saw media reports that Tom Homan accepted a bribe. There's no evidence of that. And here's, George, why fewer and fewer people watch your program and why you're losing credibility. Because you're talking for now five minutes with the Vice President of the United States about this story regarding Tom Homan, a story that I've read about, but I don't even know the video that you're talking about. Meanwhile, low-income women can't get food because the Democrats and Chuck Schumer have shut down the government. Right now, we're trying to figure out how to pay our troops because Chuck Schumer has shut down the government. You are focused on a bogus story. You're insinuating criminal wrongdoing against a guy who has done nothing wrong instead of focusing on the fact that our country is struggling because our government's shut down. Let's talk about the real issues, George. I think the American people would benefit much more from that than from you going down some weird left-wing rabbit hole where the facts clearly show that Tom Homan didn't engage in any criminal wrongdoing. It's not a weird left-wing rabbit hole. I didn't insinuate it.

Duration: 61.5s
Scene 44 (4.07s)
12:30 → 12:34
Frame 1
Frame 1 • 12:31
Frame 2
Frame 2 • 12:32
Frame 3
Frame 3 • 12:34
🎬 Visual: This scene takes place in a television studio during an ABC news program segment titled "One-on-One with Vice President JD Vance," as indicated by the on-screen graphics. The main subject, dressed in a suit and red tie, remains seated and largely stationary throughout the three frames. There are no notable changes in objects or positioning, signaling a sustained focus on the interview discussion within the studio setting.
🎙️ Dialogue:

I asked you whether Tom Holman accepted $50,000 as was her

Duration: 4.1s
Scene 45 (7.708s)
12:34 → 12:42
Frame 1
Frame 1 • 12:35
Frame 2
Frame 2 • 12:38
Frame 3
Frame 3 • 12:41
🎬 Visual: In this scene, Vice President JD Vance is being interviewed one-on-one, seated in front of American flags and official emblems, providing a formal setting appropriate for a televised news segment. The subject remains stationary and engaged throughout, with only minor changes in the on-screen graphics reflecting network branding and show identification between the frames. The context and key objects, including the flags and lower-third text, consistently emphasize the political and official nature of the discussion.
Scene 46 (3.871s)
12:42 → 12:46
Frame 1
Frame 1 • 12:43
Frame 2
Frame 2 • 12:44
Frame 3
Frame 3 • 12:46
🎬 Visual: In Scene 46, a suited individual is seated in a television studio setting with “ONE-ON-ONE WITH VICE PRESIDENT JD VANCE” displayed on the lower third, indicating an interview segment about the Trump Administration. The scene begins brightly lit, remains focused on the interview setup, and then noticeably dims at the end, signaling the segment’s conclusion or a transition. There are no significant changes in subjects or objects, with the main action centered on the televised interview.
🎙️ Dialogue:

I said that I don't have next we'll be right back

Duration: 3.9s